The virtuoso of queer theory’s rhetorically playful and nuanced prose on AIDS, Lana Turner, and the ‘imminence of nothingness’
By Adam Kirsch for Tablet MagazineSeen in this way, these two sensibilities are opposites, Sontag writes. “Camp is a solvent of morality,” evaporating Jewish earnestness into playfulness. Yet these opposites have worked together to powerful effect in modern American pop culture, which is to a remarkable extent a product of Jewish and gay creativity. Sontag herself is an example of how the two sensibilities, and the two identities, can inhabit the same person. To straddle irony and sincerity, camp and liberalism, is to occupy a privileged vantage point on the world, not despite but because of the fact that historically it has meant being doubly excluded, doubly vulnerable.
In My 1980s & Other Essays, his new collection of short prose pieces, Wayne Koestenbaum gives a master class in this kind of creative straddling. The word is not idly chosen: When it comes to metaphors, Koestenbaum prefers bodily images, drawn if possible from the domain of sexual experience. This is one of the things that marks him as a product of “queer theory,” an academic movement that, like all such movements, enjoyed its subversive youth and is now passing into serene establishmentarianism. (Koestenbaum is a Distinguished Professor of English at CUNY.)
Continue reading.
For more LGBT news, check out our
